'An Insult to Life...': A Tale of Miyazaki and AI's Foray into Ghibli!

Hayao Miyazaki warns that excessive reliance on AI could render real artists obsolete. He believes that allowing machines to craft stories means losing our art and soul. His perspective is clear: tech can't replace artists. Art is meant to expand emotions.
Hayao Miyazaki's Studio Ghibli has given a new direction to animation worldwide

Source: aajtak

This tale dates back to 2016... Renowned Japanese animator and filmmaker Hayao Miyazaki was sitting with developers at his

Studio Ghibli

. He learned that AI might soon be powerful enough to create human-like animation in the blink of an eye. To this, Miyazaki shrugged and said,

‘If that happens, we won't need humans. Then, the end of the world is near.’

A statement from nine years ago by Miyazaki is resurfacing, as AI tools like ChatGPT and Grok can convert any image into the Ghibli art style. The very Ghibli art laden with human emotions, painstakingly hand-crafted by Miyazaki, is now being replicated in seconds by AI, sparking a new controversy surrounding originality.

Miyazaki, now 84, needs no introduction. He was a pivotal figure in animation, competing with the likes of Walt Disney, who dominated with animations like

‘The Lion King’, ‘Aladdin’, ‘Beauty and the Beast’

, and Pixar's

‘Finding Nemo’

and

‘Toy Story’

. Stepping into this world in 1985, Miyazaki co-founded

Studio Ghibli

alongside Isao Takahata and Toshio Suzuki.

While Disney and others were delving into 2D and 3D animation with CGI, Miyazaki made a powerful impression with hand-drawn animation.

Hayao Miyazaki, a masterful animator and filmmaker.

Source: aajtak

Amid AI's growing presence, Miyazaki remains celebrated for achievements that have become more popular over time.

His films are meticulously crafted frame by frame, captivating viewers without allowing their eyes to wander from the screen. Miyazaki's stories beautifully meld

Magical Realism

with real-world elements, infusing overlooked emotions and everyday experiences with fantasy.

Miyazaki’s animation films were entirely handmade, taking years to produce. What AI can accomplish in seconds took Miyazaki and his team considerable time.

The animated

GIF

you see, taken from Miyazaki’s 2013 film

'The Wind Rises'

, showcases a scene that took over a year to animate. Depicting a crowd during an earthquake, each character is individually drawn, reflecting unique expressions and movements, without the use of CGI, adhering to traditional hand-drawn techniques.

Miyazaki aimed to make his animated films as realistic as possible, ensuring audiences could connect with them. The combination of human emotions and fantasy in his films is unmatched.

Spirited Away

, released in 2001, is considered among the world's best-animated films.

Howl’s Moving Castle

from 2004 portrays magic, romance, and war's impacts, earning global acclaim. Prior works like 1997’s

Princess Mononoke

and 1988’s

My Neighbor Totoro

reflect harmony with nature and human struggles.

The origin of animation can be traced back to ancient times, evident in Egyptian wall art and cave paintings. Modern animation arose in the 20th century with American cartoonist J. Stuart Blackton's 1906 film

Humorous Phases of Funny Faces

. Recognized as the first animated film, it was created by drawing on a chalkboard. Two years later,

Fantasmagorie

emerged as the first traditional animated film with 700 hand-drawn images. By 1913, Earl Hurd and John Bray developed cel animation, drawing images on cellulose, eliminating the need to repeatedly prepare backgrounds, popularized by Walt Disney.

Miyazaki's Oscar-winning animation film Spirited Away

Source: aajtak

Miyazaki’s film

Spirited Away

won an Oscar for Best Animation in 2003. In protest of the U.S. attack on Iraq, Miyazaki chose to boycott the Oscars ceremony, stating he didn't want to visit a country bombing Iraq.

Miyazaki famously said,

‘AI lacks Humanity’

. After watching AI-generated animations, Miyazaki expressed deep sorrow, acknowledging his lifetime of creating films rooted in human emotions. He remarked,

‘Whoever created this (AI) doesn't understand suffering. Watching this is truly disappointing, and it's an insult to life itself.’

Miyazaki cautions that if AI's proliferation continues, real artists may become unnecessary. Allowing machines to craft stories, he argues, would mean losing our artistry and soul. He insists,

‘Tech Can't Replace Artists’

, emphasizing that art exists to amplify emotions.

Perhaps this principle explains why

Studio Ghibli

never embraced AI or CGI, consistently advocating that technology should assist humans, not replace them.

The latest trend of

AI Ghibli

is sparking debate as it mimics

Studio Ghibli's

animation style using AI, raising serious issues about copyright infringement and artistic originality. Experts contend that AI-generated animations not only violate original artists' rights but also diminish art's emotional depth.

Animation by Studio Ghibli

Source: aajtak

In an interview, Miyazaki once mentioned naming the studio

Studio Ghibli

because of his fondness for planes. The name 'Ghibli' was inspired by the Italian warplane

Caproni Ca.309 Ghibli

used during World War II.

Ghibli,

derived from an Arabic term meaning desert wind, reflects the fresh air Miyazaki’s films brought to Japan's animation industry, symbolizing a breath of innovation he sought to instill. That's why it was named

Studio Ghibli

Tadao Hama, who laid

Ghibli's

foundation alongside Miyazaki, stated that AI is not an artist but a copier of human creations. When something becomes cheaply available, its value often decreases. If AI can produce millions of artworks every minute, the effort of real artists is undervalued. Machines can never match the depth human minds bring to life.

Miyazaki admired art and perfection, his personality defined by a steadfast commitment to perfectionism. When rivals turned to computers and technology, Miyazaki remained dedicated to hand-designing frames for animated films. He wasn’t against technology but believed that the beauty of forests, mountains, and nature can be best depicted by hand, impossible for technology to replicate with the same sincerity. His philosophy emphasized the vitality of filling animation with emotions by hand, declaring,

‘As long as I live, I'll craft stories by hand...’
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